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Contortion (sometimes contortionism) is a performance art in which performers, contortionists, showcase their skills of extreme physical flexibility. Contortion acts often accompany acrobatics, circus acts, street performers and other live performing arts. Contortion acts are typically performed in front of a live audience. An act will showcase one or more artists performing a choreographed set of moves or poses, often to music, which require extreme flexibility. The physical flexibility required to perform such acts greatly exceeds that of the general population. It is the dramatic feats of seemingly inhuman flexibility that captivate audiences. In some countries, such as Russia and Mongolia, contortion holds special cultural significance.

The last (about Russia and Mongolia) is told us by Wikipedia, with the remark that "as about Russia - this needs some proofs". What can I say, well... I'm not a fan of Internet battles, but while looking through all the history we can see that female flexibility was an important part of Russian culture at least for about three last centuries. Remember the Russian ballet, remember the Rhythmic Gymnastic (the sports that was made Olympic by Russians in 1980, whyle the Russians, as the hosts of the Olympics, could suggest some popular combat sports like Sambo wrestling of knife fencing. I'd rather say that the image of Mongolian contortion was created mostly due to marketing reasons for promoting flexibility circus shows by Mongolians girls in Europe.

OK, what do we like contortion for? First, it's amazing. Most of us would break our back trying even to fold forwards, and these girls bend forwards and backwards into pretzels. Second, it's beautiful. Contortion girls are in such a good shape that they can be looked at forever. Third... it's sexual! An extremely flexible female body is something that men just can't stand aside from!

Many factors affect the flexibility of performers including age, genetics, stature, and adherence to rigorous physical training routines. Most contortionists are generally categorized as "frontbenders" or "backbenders", depending on the direction in which their spine is most flexible. Relatively few performers are equally adept at both.

Skills performed by contortionists include:

Frontbending skills such as folding forward at the waist with the legs straight, or placing one or both legs behind the neck or shoulders with the knees bent (called a human knot).

Backbending skills such as touching one's head to one's feet, or all the way to the buttocks (called a head-seat), while standing, lying on the floor, or in a handstand. A Marinelli bend is a backbend while supported only by a grip at the top of a short post that is held in the mouth.

Splits and oversplits (a split of more than 180 degrees) may be included in frontbending or backbending acts. An oversplit may be performed while the feet are supported by two chairs or by two assistants.

Enterology is the practice of squeezing one's body into a small, knee-high box or other contained space which initially appears to audiences as being too small to contain the performer.

Dislocations of the shoulders or hip joints are sometimes performed as a short novelty act by itself. One example is lifting the arm to the side until it passes behind the head and lies across the top of the shoulders.

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Contortion acts are highly variable with many incorporating elements of humor, drama, shock, sensuality or a blend of styles. Contortion is often incorporated into other performances such as dance and theater.

Contortion may be incorporated into other types of performances:

An adagio act is an acrobatic dance in which one partner lifts and carries the other partner as she/he performs splits and other flexible poses.

In a rag doll or golliwogg act, one or two assistants bend, shake and carry the contortionist in such a way as to convince the audience that the disguised performer is actually a limp, life-sized doll. The act often ends by stuffing the doll into a small box.

Contortion positions can be performed on a Spanish web, an aerial act consisting of a rope with a hand/foot loop that is spun by someone underneath.

Contortionists might manipulate props during their performance, for instance spinning hula hoops or juggling rings, balancing towers of wine glasses, or playing a musical instrument.

A contortionist may perform alone, may have one or two assistants, or up to four contortionists may perform together as a group. In the past, contortionists were associated almost exclusively with circuses and fairs, but recently they have also found work performing in nightclubs, amusement parks, in magazine advertisements, at trade shows, on television variety shows, in music videos, and as warmup acts or in the background at music concerts.
The Ross Sisters were American contortionists most famous for their musical number in the 1940s movie Broadway Rhythm. In addition, contortion photos and digital movie clips are traded by fans on the Internet, and several web sites provide original photos of contortion acts for a monthly fee, or sell videotapes of performances through the mail.

Some loose-jointed people are able to pop a joint out of its socket without pain, thereby making it difficult to determine if a joint is dislocated without medical examination such as an X-ray. However, as long as the joint socket is the right shape, most extreme bends can be achieved without dislocating the joint. Actual dislocations are rarely used during athletic contortion acts since they make the joint more unstable and prone to injury, and a dislocated limb cannot lift itself or support any weight.

A medical publication from 2008 suggests that long-term damage to the spine is common in long-term practitioners. A study of five practitioners using Magnetic Resonance Imaging (MRI) by Peoples et al documented limbus vertebrae, intervertebral disc bulges, and disc degeneration. Three of the five practitioners also reported back pain.

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